JohnVick.org

Lyn Lifshin

 

Being Jewish in a Small Town    Lips

Writing Class, Syracuse Winter     Orals

The No More Apologizing The No More Ligtle Laughing Blues

 

 

Being Jewish In A Small Town

 

someone writes kike on

the blackboard and the

“k’s” pull thru the

chalk, stick in my

 

plump pale thighs.

Even after the high

school burns down the

word is written in

 

the ashes. My under

pants’ elastic snaps

on Main St because

I can’t go to

 

Pilgrim Fellowship.

I’m the one Jewish girl

in town but the 4

Cohen brothers

 

want blond hair

blowing from their

car. They don’t know

my black braids

 

smell of almond.

I wear my clothes

loose so no one

dreams who I am,

 

will never know

Hebrew, keep a

Christmas tree in

my drawer. In

 

the dark, my fingers

could be the menorah

that pulls you toward

honey in the snow

 

Lips

 

Yours, honey, were so perfect,

a little rosebud mouth, not

those puffed up blubbery

things, my mother says when

I pointed out the models’

collagen petals. “Roses,” my

mother always says, “that’s

what yours were, a nice

tiny nose. That’s from your

father. One good thing. Not

a big ugly one like I’ve got.”

I think of my mother’s lips,

moving close to my hair, how

her breath was always  sweet.

“Too thin lips, like your father’s,”

show stinginess.” She was

right. A man who couldn’t give

presents or love, a good word

or money. I only remember

three things he told me and

all begin with Don’t tho my

mother said stories came from

those lips, that he brought me a

big dog. I only remember the

thinness of his lips, how the

death meant I wouldn’t have to

leave school to testify for the

divorce. Lips. When I came home

from camp I found Love Without

Fear in the bathroom and read

“if a girl lets a man put his tongue

on her lips down there, she’ll let

him do anything,” and then some

thing about deflowering. A

strange word I thought trying to

imagine flowers down there, rosebuds

not only on my mouth, a petal

opening, but a whole bush of petals,

a raft of roses someone kneeling

would take me away on, a sea of

roses, flowers and my lips the

island we’d escape to

 

 

 

 

 

 

 

 

 

 

 

 

 

 
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Writing Class, Syracuse Winter

 

write, he said looking

like an even craggier

Lincoln, your impressions

the next 4 days, details

of a walk across campus.

Even now I remember I

wore a strawberry wool

skirt, matching sweater.

There was bittersweet

near the Hall of Language.

I curled in a window

ledge of a cave in Crouse,

an organ drifting thru

smooth warm wood. I

could let the wine

dark light hold me, slid

on the ice behind where a

man with a blue mole

picked me up, my notes

scattering up Comstock.

Torn tights, knees snow

kissed the skin off. I was

hypnotized by that

huge growth, said yes

tho I only half remembered.

Upstairs icicles clotted,

wrapped glass in gauze.

There must have been some

one who didn’t call. Blue

walls, ugly green bedspread,

Dorothy popping gum, eating

half a tuna sandwich before

we’d lie in bed with the

lights out wondering what

it would be like to have

Dr Fox with his red beard

go down on us as we

braided and rubbed our

mahogany hair dry and I

tried to figure out what to

do with the bittersweet,

torn knees, ragged maples,

didn’t believe I’d ever

have anything to write about

 

 

Orals

 

Half of them

cough, the one

with the limp wittily

grunts towards me

you remind me of

Theda Bara, a distant

relative I blush be

cause it’s true.

Already

his eyes are

full of no.

Smoke boils up from the

table, the scraped faces

freeze on me until I

wish I hadn’t come

 

Suddenly this glass voice

clangs and what do you

think of adultery?  Now

it is not easy to be

clever under his

fluorescent glare but

I look right back and

ask how that’s

relevant. He doesn’t

like that at all

 

scratches an ear and wants

to know if Tottel’s 3rd

cousin by a later

marriage of course

is significant in 19th

 

century bibliography and

my God he is serious I

sweat inside my specially

lengthened drab gray suit

 

beginning to think of

oceans, imagining that

walls could drift

out slowly, even

the floor slide away.

Not able to suppose

just then why Marvell

didn’t write the

same poems that Donne

did briefly in 72

seconds, or where

Fulke Greville was

while Spenser was

having his fire

 

The two faces I thought

I knew keep dissolving.

Their eyes float to

shelves where words

live predictably

 

Are you certain of

those dates a British

accent whines thru

teeth that have never

lived outside New

York City. A stranger

bends into his shoes

as if the laces were

nastily disappointing

 

We know your record

the Milton man spits

thru a belch but you

understand the require

ments, couldn’t you

just have a baby?

 

 

 

 

 

 

 

 

 

 

 

 

 
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The No More Apologizing

The No More Ligtle Laughing Blues

 

apologizing for going to

school instead of having

a job that made money

or babies

pretending I took the bus

to an office, paper

clips in my ears

and never that I was

reading Wyatt,

writing my own dreams

in the dust under the

 

Apologizing for my

hair, wild gipsy

hair that fell out of

every clip, the way the

life I started dreaming

of did. Apologizing for

the cats

 

You know if someone said my skirt

was too short, I explained

or said sorry but never that

I finally loved my legs

 

I spent years apologizing for not

having babies, laughing

when someone pulled

a baby Gerber jar out

of the closet and held it in

front of my eyes like

it was a cross. Or a star

 

I should have thrown that

thru the glass. I didn’t

need to explain the music

I liked. One friend said that’s

noise. Another said isn’t denim for

children? I laughed the apologizing

“oh I don’t want no trouble” laugh

over the years, pretending to cook,

pretending to like babying

my husband

 

The only place I said what I meant

was in poems. That green was like some

huge forbidden flower until it grew so

big it couldn’t even fit in the house,

pulled me out a window

with it toward Colorado

 

I apologized for being what

they thought a woman was by being

flattered when someone said

you write like a man  and for not being what they thought

a woman, for the cats and leaves

instead of booties, for the poems

 

When someone said how much

do you get paid,  I pretended,

pretended, pretended. I could not

stop trying to please:
 

The A, the star, the good girl

practically stamped on my fore head.

The spanking clean haunted half my life.

But the poems had their own life

 

and mine finally followed

where the poems were growing,

warm paper skin growing

finally in my real bed

until the room stopped spinning for

good the way it used to when I dressed

up in suits and hairspray

 

pretending to be all those things I

wasn’t: teacher, good girl, lady,

wife. I was writing about lovers

for years before I’d felt,

when I was still making love just on

the sheets of paper

 

When the poems first came

out one woman I drove to school with

said I can’t take this. Another said

I don’t know, this can’t be the you

I know, so brutal, violent.

Which is the real?

 

The man I was with moved to

the other side of the bed.

This was worse than not having

babies. His mother said they

always knew I was odd

 

my clothes, my hair,

the books I brought to bed.

They said I never seemed like

one of them

 

My own family thought it was

ok but couldn’t I write of things that

were pleasant? They wanted to know how much

I got paid and why I didn’t write for

The Atlantic

 

Look, I still have trouble saying

no. I want most of you to

care about what I’m thinking,

maybe even to

want my hair

 

It’s true, I put a no smoking sign up

on the door but twice I have

gotten out ashtrays

 

But I have stopped being grateful to

be asked to read

or to always have

a lover right there beside me

 

It’s still not easy to get off the

phone, tell a young stoned poet

it’s a bore to lie with the

phone in my ear like a

cold rock while he goes on

about the evils of money,

charging it to my phone

 

But now when I hear myself laughing

that apologizing laugh, I know what

swallowing those black seeds can

do and I spit them out. Like tobacco

(something men could always

do). Look, nothing good grows from the

I’m sorry, sorry, only those dark

branches that will get you from inside

 

 

Being Jewish in a Small Town    Lips

Writing Class, Syracuse Winter     Orals

The No More Apologizing The No More Ligtle Laughing Blues

About Lyn Lifshin

Home