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The Adroitly Placed Word

 

Image of the Incomparable Arlene Ang


Arlene Ang is the author of The Desecration of Doves (iUniverse, 2005), Secret Love Poems (Rubicon Press, 2007) and Bundles of Letters Including A, V and Epsilon (Texture Press, 2008), co-written with Valerie Fox. She serves as a poetry editor for The Pedestal Magazine and Press 1. She lives in Spinea, Italy. The poems appearing here in APW are included in Bundles. More of her writing may be viewed at www.leafscape.org.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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hangar queen (not in any book)

 

 

like your fifth suspected menopause

at an age when you have to read the words

 

whack or bruxism from a sex dictionary

to get that feel for harmonicas for paper-doll parties

 

for t-shirts with hallelujah written in bold

so what if the tequila bottle has v’s plastered

 

on the neon label on the fadeaway

ingredients of your venial sins

 

you acknowledge the red moon in casseroles

and how it propels your navel

 

all those panties on the clothesline

flapping a game of hangmen in the wind

 

neither for solo flight nor leonard’s idea

of the best ventriloquy poems post-dated 1976

 

like your old body before the mirror

just hints of last night’s teriyaki sauce on one nipple

 

 

 

 

 

 

 

 

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Mot Juste  

   

And suddenly, the bride wants me to speak up.

We aren’t exactly related. I like to be surrounded

by four walls, runaway carts. It’s not

the extemporaneous opening I have in mind;

my jaw creak emits a nasty pitch.

On which part of the formal attire does

the soft-boiled egg break? Men, of course,

are moveable like patent-pending sticky tapes.

For years I repeated the word impetus

underbreath taking its three

vowels—tediously—for love.

I strain the banquet soup to fit the microphone.

I cite several clucking noises with my tongue.

I morse-code electrical brain movements.

I mutter faux pas when all I crave is

something sweaty to hold—a cold

margarita, perhaps her husband’s hand

under the drippy rose bouquet.

 

 

 

 

 

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Lake Como, For Instance

 

 

Was lethal with pebbles.

 

The dog ate debris and stopped defecating.

 

I tried hard not to look provincial in my sabot shoes.

 

Like my background, it was comfortably uninteresting under the trees.

 

In the horizon, a windsurfer.

 

The way he fell into water swooshed of safe sex.

 

I was hoping for a different bench, something with fixed paint.

 

It’s hard to appreciate the present, like oil stains on paper.

 

Out of spite, people continue to bring up the topic of my birthday.

 

The lettuce in my ham sandwich tasted of a pipe organ’s hundred years.

 

I stepped on someone’s extra scoop of pistachio ice cream.

 

I still insist on addressing these everyday things as mortal remains.

 

Summer left abruptly.

 

How does one live with a lost toe ring?

 

 

 

 

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And I Was, In Those Days, Sober  

There were flies. I counted them on both hands. The overcast blew fish faces from the clouds and blended with one of my mother’s dizzy spells. She was again with child. Coffee stained the plastic spoon. Cream hurt the wallpaper. I was two-fifth saccharine. The kind that killed or got killed inside a body. Despite yards of tissue, my father’s chest remained hammered in, disfigured. Curious neighbors entered through the backdoor. Everyone wanted to see the bullet extracted from his lung. He never knew it would outlive him. Some lung, the doctor told him. It was a ploy to get under his skin, her skin. My parents could pretend to be friends with anyone. Here was thirst before I learned it: paper horses and apple trees, Newton as he carved his initials on a wide-brimmed hat thinking he might gather gravity on his head.

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